A Shade (33 frames) Rhea, Rebecca, Marianne, Fergus, Grant. 2024, archival inkjet print, photographic stills, found family photographs, 815 x 1020 mm
Aotearoa Contemporary, 2024, Auckland Art Gallery Toi o Tāmaki
Teeth Grinder (posterior bitewings) 2023 (2023), digital c-type prints mounted on 3mm aluminium, 163 x 204 mm (each)
Intro, 2023, Treadler, Rea Burton, Meg Porteous, Shiraz Sadikeen
Bedtime Story for Henry, 2023 (film still), DIR by Meg & Finnbar Porteous, Single channel video with audio, 13 min
The Story Problem, 2023, Robert Heald Gallery
Bedtime Story for Henry, 2023 (storyboard by Finnbar Porteous)
The Story Problem, 2023, Robert Heald Gallery
Castings A, 2023, found objects, autographed memorabilia, 700 x 840 mm
The Story Problem, 2023, Robert Heald Gallery
Bedtime Story for Henry, 2023 (still) DIR. Meg & Finnbar Porteous, single channel video with audio, 13 min
The Story Problem, 2023, Robert Heald Gallery
L: Castings B, 2023, found-objects, autographed memorabilia, 680 x 920 mm R: Story, 2023, adhesive vinyl, 900 x 600 mm
The Story Problem, 2023, Robert Heald Gallery
L: Rea Burton, Meg with a Kākā Beak, 2022, acrylic and oil on linen 300 x 250 mm R: Meg Porteous, Pigeon Portrait #3, 2022, c-type print, acrylic mount, 320 x 280 mm
Birds, 2022, with Rea Burton, Neon Parc, Melbourne, Naarm, Australia
Pigeon Portrait #6, 2022, c-type print, acrylic mount 320 x 280 mm
Birds, 2022, with Rea Burton, Neon Parc, Melbourne, Naarm, Australia
Nancy Treadler, 2022 (still) DIR. Meg Porteous and Rea Burton, single channel video (colour, sound), 7 minutes
Birds, 2022, with Rea Burton, Neon Parc, Melbourne, Naarm, Australia
Stream, 2021, c-type handprint, 335 x 362 mm
Stars, 2021, solo exhibition at Michael Lett Gallery
Flora, 2021. found object, autographed memorabilia 355 x 385 mm
Stars, 2021, solo exhibition at Michael Lett Gallery
Float Culture #1, 2021, c-type handprint, 336 x 357mm
Stars, 2021, solo exhibition at Michael Lett Gallery
Underneath Mazda 6, 2021, c-type handprint, 345 x 371 mm
Stars, 2021, solo exhibition at Michael Lett Gallery
The gift, 2020, fifteen photographic works presented on three digital billboards, Tāmaki Makaurau, Auckland
thegiftimage.com
The gift, 2020, fifteen photographic works presented on three digital billboards, Tāmaki Makaurau, Auckland
thegiftimage.com
Drive, 2020, c-type handprint, 406 x 508 mm
Juncture, 2020, solo exhibition at Neo Gracie
World outside head (cc Mary Porteous), 2020, canvas billboard, digital clock, New Plymouth, 4500 x 4300 mm
Germinal Centre, 2020, The Govett-Brewster Art Gallery / Len Lye Centre Artist Residency Programme
Self-portrait (street), 2020, pigment print on vinyl, 1682 x 1189 mm
Uncomfortable Silence, 2020, Christchurch Art Gallery Te Puna o Waiwhetū (group)
Self-portrait (the dilemma), 2019, inkjet print, 594 x 841 mm
Tears in rain, 2019, solo exhibition, Hopkinson Mossman
Self-Portrait (the spectator), 2019, inkjet print, 1005 x 764 mm
Tears in rain, 2019, solo exhibition, Hopkinson Mossman
NZ Surfer, gash gore of the month (reject), 2019, inkjet print 350 x 250 mm
https://hopkinsonmossman.com/exhibitions/meg-porteous/
L: NZ Surfer, gash gore of the month (reject), 2019 R: Carrera Lady, Quasi Femme, The Watches, 2019
https://hopkinsonmossman.com/exhibitions/meg-porteous/
40 denier (looking for corporate womenswear), 2018, inkjet print, 1189 x 841 mm
Tilt, 2018 Anoushka Akel, Ruth Buchanan, Meg Porteous, Hopkinson Mossman
Self-portrait (conditioning), 2018, pigment ink on Baryta, 400 x 300 mm
Tilt, 2018 Anoushka Akel, Ruth Buchanan, Meg Porteous, Hopkinson Mossman
Cornflakes (looking for corporate womenswear) 2018, pigment print on vinyl, 890 x 1160 mm
Decoy, 2018, pigment print on vinyl, 1100 x 1400 mm
Half crescent, boyleg (looking for corporate womenswear), 2018, pigment print on vinyl, 1189 x 841 mm